Concrete, walnut and noon light.
Crisp percale on a low walnut bed, with a raw concrete wall and a glass wall open to the gravel and one olive tree. The simplest bed there is, and the one that looks most awake.
Lavender plaster, blue shutters.
Oat on an antique oak sleigh bed, limestone underfoot and early light through the shutters. Soft and sandy, warm without trying.
Fluted walls, plum velvet.
Slate Blue against a deep plum velvet headboard, a mirrored nightstand and an ivory fluted wall — cool, a little glamorous, and every piece of the bed in one box.
Stone walls, a rainy window.
Dusk percale on a bottle-green painted bed under a low sloping ceiling, with old stone and soft grey light. A dark bed that still reads crisp and cool to the touch.
Desert light, at sundown.
Moss on a hand-built pine platform, cinnamon plaster walls and a low window onto the desert scrub. Earthy, grey-green and calm as the sun goes down.
A little warmth by the canal.
Salmon percale against ink-blue walls, a curved mahogany headboard and a white mantel, in the glow of a tall window late in the afternoon. Soft pink-clay that warms a room without shouting.
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